Skills shown in this post are
- All in one facings
- Invisible zip
I love the colour block dress from the Great British Sewing Bee book From Stitch to style, but before I invested in the fabrics I wanted to try out the top first in fabric left over from other projects. This top is based on the MONDRIAN dress created by Yves Saint laurent in 1965. Made to be worn as a cocktail dress the Mondrian was made from heavy silk crepe so that it hung straight in the body. It quickly became the most iconic dress of the 1960s
This top was made in Art Gallery Fabric , this particular fabric is a very high end cotton print. You can use any cotton fabric so long as you get a good contrast with the black bands. All the fabrics need to be the same weight.
If you do fancy indulging yourself and buying some Art Gallery fabric Minerva Fabrics sell it, but be warned it is expensive Art Gallery fabrics
There are more affordable cotton and cotton and linen blends available which will not break the bank however Cotton and cotton blend dress fabrics
The original Mondrian was made from panels of blue, white and acid yellow interspaced with black. My modern interpretation is in a light coloured print fabric with black added to form the iconic design.
The pattern is in the book "from stitch to style" and is the 2016 Great British Sewing Bee book
The top pattern is a hack made from the dress pattern
If you want to purchase the pattern soon then look no further than Jaycotts as they stock the Vogue special edition pattern which is fabulous , Vogue Mondrian Pattern it does save having to trace the pattern from a multi style pattern sheet which is what the GBSB book contains
If you have used a pattern sheet before which has multiple patterns printed in it you will know what to expect. You need to identify each pattern piece for the garment you are making and trace the piece off in your size transferring all pattern markings. I use a roll of baking paper for these projects as it is narrow enough to handle, cheap and long lasting, however you can purchase dressmakers tracing paper if you prefer. Jaycotts have two options on this page Tracing paper and you can choose between sheets of paper or buy it in a roll.
Join the upper front pieces to the centre strip and add the lower strip, neatening the seams as you go.
Join the lower front pieces together and add them to the bodice front as well.
Iron on some lightweight interfacing to your facing pieces, Light weight interfacing of course if you are using a heavier fabric you may need to adjust the weight of the interfacing. A word of caution, cheap interfacings are a waste of money so do invest in a good quality one.
Another tip which will protect your ironing board, is to use a piece of oven protector when pressing on your interfacing, that way all your little melted bits (which we all get from time to time ) will peel off the oven protector and not spoil your ironing board cover.
Stitch the facing to the garment right sides together around the neck opening and sleeve openings
You will end up with this where the facings are attached at the neck and armholes. Press.
Take your pinking shears Fiskars pinking shears and cut the seam allowance away close to the stitch line, if the fabric is bulky then layer the seam allowances .Press.
When you turn the garment the right side out you will have a lovely crisp edge! Clever!
How do I turn my garment to the right side you might be asking? It's easy, attach a safety pin to the bottom of the back and thread it through the facing and pull the whole back through the opening to the front.
Once you see the opening created by sewing the facing in place you will understand fully what to do.
This is the safety pin and the left back emerging from the front interfacing.
Do this on both sides then give it a good,press, I insert my sleeve roll into the armhole to get a flat edge.
You now need to insert an invisible zip. I use these clear invisible zips, I just like them. Transparent invisible zips
Press the back and push the facing up out of the way.
You will be neatening the back facing after you have inserted the zip.
I attach my zip with this Incredible product, PRYM WONDER TAPE it's a bit like double sided sellotape but it is narrow and intended to be used when sewing, to temporarily hold two pieces of fabric together
I use it to hold my zip in place whilst I stitch it. It has to be one of my favourite products.
You need to use an invisible zipper foot by the way. Machine feet if you are not sure which foot fits your machine do give Jaycotts.co.uk a ring on 01244 394 099 and they will advise you.
Fold the facing back down and neaten the inside, slip stitching the facing to the zip tape, being careful not to get too close to the teeth.
Overlock the hem and turn it up. Or you can do an invisible hem.
And here it is finished, the silver pull on the zip looks lovely with the white of the fabric.
The black bands look great, picking out the black in the fabric print
It looks very complicated, but so long as you stitch everything together in order it is very easy to make.
And here I am wearing it for the first time today!
My only gripe with the pattern sheets is that it is not always easy to identify which,piece you need and I wish they would have stuck to one colour for each pattern, as it is everything is rather haphazard.
It's a lovely top, and a great way to use up leftover fabrics.
I hope that you enjoyed reading this post. Has anybody else made this yet?
Thank you to Jaycotts.co.uk for the tools and machines to enable me to make this garment.
Ps, this is me wearing my top for my Birthday in May 2016
#sewing#sewingbee #GBSB #1960s #top #invisiblezip #sewingbloggers #mondrian #YvesSaintLauent #vogue